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Tliey are the pop-music writers at the nation's 20 largest daily newspapers. MELLO, Note AND COOPERMAN BILIMARD MARCH 20, 2004 www. Like everyone else in the music industry, the indies reacted with hor- ror and bewilderment as sales spiked dramatically in the first years of the new century. ENRIQUE GUZMAN LA PLAGA LO ESENCIAL DE. Kody game barbie tinkerbell fairy jest do obejrzenia na Zip. DiMA includes member companies AOL, Apple, Microsoft. Wyprzedajemy biznes po polsku gra planszowa zasady ogłoszenia Łomianki. 
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Tliey are the pop-music writers at the nation's 20 largest daily newspapers. By virtue of their jobs, they arguably have more influence on musical tastes than just about anyone el. A Victor Group's rebirth as a stand- alone division of RCA Records is a har- binger of an impending massive reor- gaiiization at sLster label. Ai isto Records, aorording to sources. Tliose sources confirm that most of the BMC. America label's 1 70 staffers will be- let go. The down- sized label would retain a small. BY BILL HOLLAND W ASIIINtVrON. March 9 by the. Senate Commerce Committee and. HovHI Music's Biggest Nights Belong to ASCAP. And it's only IVIarch. Only Yon NORAH JONES Come Away With Me KIDZ BOP KIPS Kid? Music 1 5 Thy Bfjt: I itile Rifharri keynotes at the South by South- west Music Conference. A3 Latin Notas: Warner IVIusic Latin America retools in the wake of tnerger-related cuts. A8 Beat Box: Miami Beach is alive with music as the location for iwo dance confabs. SO Country: Country Radio Seminar shows the industry struggling with corporate down- sizing and illegal downloading. BEGINS ON PAGE 61 gives traditional opera a rock and pop makeover. Retail 55 Retailers open their shelves to new players that read Super Audio CD and DVD-Audio. Global H9 France's miisir awards show LesVictoires de la Musique be- comes an opportunity to show- case new acts. You can't duplicate ttiat. I'm absolutely fascinated at what we might see. Paced with declining sales, new and old com- panies alike are adding such services as man- agement, booking, mer- chandising and publish- ing to their label operations. Hidalgo sees it as a dis- tinct advantage. Breaking new artists on a major level — I'd like to break one big hip-hop artist this year. She maintains her New York base. ELLIS: 'I'D LIKETO BREAK ONE BIC HIP-HOP ARTIST THIS YEAR' Publicity, marketing and promo- tion of Sony's urban acts fall under her purview. Concurrent with Ellis' appointment, executive VP of urban music David McPher- son has exited Sony. Continued on pane 17 BILLBOARD MARCH 20, 2004 www. For photo coverage, see page 22. Most agreed that the worst is over for the struggling music business. However, as investment money starts to slowly flow back into the industry — thanks largely to the grow- ing promise of digital downloads and ring-tone sales — experts warn that treacherous times remain, as labels and publishers continue to come to grips with a changing business model and ongoing piracy. By contrast, he noted that investors have started to eye the industry as an opportunity again, with U. Investment firm Thomas H. Lee Partners was held up as the poster child of the trend. Scott Sperling, the firm's managing director, delivered the sym- pasium's keynote address. The timing could not have been bet- ter. Providence Equi- ty Partners and luigiir lironiman Jr. Peter Hoffman, director of global asset-based finance, securitization and principal transactions for Merrill Lynch, told symposium attendees that he expects to see more music-related structured finance deals within the next two years. Indeed, opportunities in the inde- pendent sector look promising, indus- try watchers say. Terri Santisi, partner and leader of KPMC Media and Entertainment Croup, predicted that nonstrategic buy- ers will be attracted to small deals for publishing and master catalog assets. GOING PRIVATE As for the majors, experts say the WMC deal is pointing the way toward private ownership as the ideal scenario for music companies. Still, whether privately or publicly held, the major companies have made a Continued on page 85 In Oz, Mixed Views On Free Trade BY CH