A Beautiful Mind (film) From Wikipedia, the free encyclopedia A Beautiful Mind Theatrical release poster Directed by Ron Howard Produced by Ron Howard Brian Grazer Screenplay by Akiva Goldsman Based on A Beautiful Mind by Sylvia Nasar Starring Russell Crowe Ed Harris Jennifer Connelly Paul Bettany Adam Goldberg Judd Hirsch Josh Lucas Anthony Rapp Christopher Plummer Music by James Horner Cinematography Roger Deakins Edited by Daniel P. Hanley Mike Hill Production company Imagine Entertainment Distributed by Universal Pictures (United States) DreamWorks Pictures (Worldwide) Release date(s) December 13, 2001 (Beverly Hills premiere) December 21, 2001 (United States) Running time 135 minutes Country United States Language English Budget $58 million[1] Box office $313,542,341[1] A Beautiful Mind is a 2001 American biographical drama film based on the life of John Nash, a Nobel Laureate in Economics. The film was directed by Ron Howard, from a screenplay written by Akiva Goldsman. It was inspired by a bestselling, Pulitzer Prize-nominated 1998 book of the same name by Sylvia Nasar. The film stars Russell Crowe, along with Ed Harris, Jennifer Connelly, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh Lucas, Anthony Rapp, and Christopher Plummer in supporting roles. The story begins in the early years of a young prodigy named John Nash. Early in the film, Nash begins to develop paranoid schizophrenia and endures delusional episodes while painfully watching the loss and burden his condition brings on his wife and friends. The film opened in the United States cinemas on December 21, 2001. It went to gross over $313 million worldwide and won four Academy Awards, for Best Picture, Best Director, Best Adapted Screenplay and Best Supporting Actress. It was also nominated for Best Actor, Best Film Editing, Best Makeup, and Best Original Score. It was well received by critics, but has been criticized for its inaccurate portrayal of some aspects of Nash's life, especially his other family and a son born out of wedlock. However, the filmmakers have stated that the film was not meant to be a literal representation.