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Jim Lauderdale - Yep Roc The ultra prolific Jim Lauderdale releases an 11-song set he co-produced with Jay Weaver. If you can deal with the middle-aged malaise and occasionally too self-aware couplet, this lengthy record is a rewarding feast.
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With new songs, videos, and albums often dropping in the middle of the night, the music landscape of 2017 is constantly mutating. Established artists like Drake continue to seek ways to surprise the mainstream, while smaller, emerging acts have turned to apps like YouNow and live. The range of options can be overwhelming. So why wait until the end of the year to recommend the music that's worth your time? Like and , this frequently updated ranking will help you keep track of the albums you 100% can't afford to miss, ranging from the pop blockbusters to the underrated gems. The ways we interact with music may be transforming, but a solid recommendation remains as valuable as ever. And if you need more to stream, check out. Steve Lacy, Steve Lacy's Demo Release date: February 24 Record label: Why it's great: In the year of the playlist, when artists like and appear to be stacking their projects with songs to juice their streaming stats, it's refreshing to see an artist over-indulge on brevity. Instead, the tracks feel like a more intimate continuation of the tangential song-writing approach Frank Ocean has explored in recent years on projects like Blonde and Endless. Like Ocean, Lacy is smart enough to know bigger isn't always better. Young Thug, Beautiful Thugger Girls Release date: June 16 Record label: Why it's great: Beautiful Thugger Girls isn't quite the cowboy-hat-tipping, square-dance-starting country album that hoped it would be, which is fine. For fans of adventurous music of any genre, it's essential listening. More than most celebrity figures, Taylor Swift is likely aware that attempting to control one's personal narrative in the modern media environment is a futile gesture, and yet, here we are: Reputation, the country-turned-pop singer's sixth album, arrived with enough and to fit whatever preconceived notions you'd prescribed to the project. It turns out Swift isn't concerned with setting the record straight. She's too busy plotting her next move. Kesha, Rainbow Release date: August 11 Record label: Why it's great: Rainbow arrives nearly five years after the release of 2012's Warrior, a dizzying glitter-bomb of a record. Some of the stylistic gambles don't pay off -- the title track produced by Ben Folds is a treacly dud -- but Kesha's risk-taking instincts and playful vocal performances help redeem the occasional creative missteps. Clearly, the conflict with Dr. Phoebe Bridgers, Stranger in the Alps Release date: September 14 Record label: Why it's great: That title, a sly allusion to a line from the of The Big Lebowski, should be a tip-off that this isn't your average folk-indebted indie rock record. Not by a longshot. Phoebe Bridgers, a Los Angeles based 23-year-old with a gift for writing simultaneously wry and devastating lyrics, is crafty in a way that encourages contemplation. Bridgers is always searching, questioning, and untangling new threads of thought. She's a detective investigating her own impulses. The Dude would approve. Perfume Genius, No Shape Release date: May 5 Record label: Why it's great: There's a generosity that powers the music of Mike Hadreas. Even when exploring the depths of despair, like he did on his beautiful debut Learning, he uses the flexibility of his voice to find pockets of joy amidst the struggles of his characters. His fourth record No Shape, which draws on a tradition of ethereal melodrama found in the best work of David Bowie, Kate Bush, and Prince, is as elegant as it is anthemic. You'll follow him anywhere. The xx, I See You Release date: January 13 Record label: Why it's great: If you found The xx's first two records chilly, cerebral, and removed, but grooved to the eclectic haunted-club aesthetic of Jamie xx's In Colour, one of the best albums of 2015, then this might be The xx you're looking for. It's not that they've radically changed their sound -- hushed vocals, pitter-patter beats, and electro-pop minimalism remain their go-to moves -- but they've tweaked it in ways that make the anthems more inviting, ambitious, and danceable. Girlpool, Powerplant Release date: May