Upon the calm green of the land, typical in every way of peace, the hues of war brought thither by the troops shone strangely. Mary, gazing curiously, did not feel that she was contemplating a familiar scene. It was no longer the home acres. The new blue, steel, and faded yellow thoroughly dominated the old green and brown. She could hear the voices of the men, and it seemed from their tone that they had camped there for years. Everything with them was usual. They had taken possession of the landscape in such a way that even the old marks appeared strange and formidable to the girl.
Mary had intended to go and tell the commander in blue that her mother did not wish his men to use the barn at all, but she paused when she heard him speak to the sergeant. She thought she perceived then that it mattered little to him what her mother wished, and that an objection by her or by anybody would be futile. She saw the soldiers conduct the prisoner in grey into the barn, and for a long time she watched the three chatting guards and the pondering sentry. Upon her mind in desolate weight was the recollection of the three men in the feed-box.
It seemed to her that in a case of this description it was her duty to be a heroine. In all the stories she had read when at boarding-school in Pennsylvania, the girl characters, confronted with such difficulties, invariably did hair-breadth things. True, they were usually bent upon rescuing and recovering their lovers, and neither the calm man in grey, nor any of the three in the feed-box, was lover of hers, but then a real heroine would not pause over this minor question. Plainly a heroine would take measures to rescue the four men. If she did not at least make the attempt, she would be false to those carefully constructed ideals which were the accumulation of years of dreaming.
But the situation puzzled her. There was the barn with only one door, and with four armed troopers in front of this door, one of them with his back to the rest of the world, engaged, no doubt, in a steadfast contemplation of the calm man, and incidentally, of the feed-box. She knew, too, that even if she should open the kitchen door, three heads, and perhaps four, would turn casually in her direction. Their ears were real ears.