Mick Jagger at 74 has delivered his first solo musical foray into political commentary, with a pair of new songs that deliver grimly mocking takes on the age of Brexit and Trump. The celebrated Rolling Stones frontman released England Lost and Gotta Get A Grip on Thursday, saying he wrote them while stirred by “anxiety [and] unknowability of the changing political situation”. The songs represent Jagger’s first solo appearance on any release since 2011 and follows last year’s Stones album, Blue & Lonesome. Mick Jagger wrote a 'masterpiece' memoir that has never been published Read more Both tracks feature a sardonic Jagger half-singing, half-spitting his lines in a primitive rap over programmed beats and burring, blues-rock guitar riffs. Jagger said in a statement he rushed to release the songs, which he began writing just a few months ago, while they still reflected the transatlantic political climate that spawned them. ‘’We obviously have a lot of problems. So am I politically optimistic? … No,” Jagger said. England Lost uses a disenchanted, plain-speaking football fan as the narrator for what he said was the “feeling that we are in a difficult moment in our history”. It’s a rough, rambling but ready vocal performance, with some blunt one-liners: “I went to see England but England lost / I went round the back but they said piss off.” Jagger then sings he’ll “go home and smoke a joint” after a match he didn’t even want to go to, before adding: “I went to find England and it wasn’t there/ I think I lost it down the back of my chair / I think I’m losing my imagination/ I’m tired of talking about immigration / You can’t get in and you can’t get out / I guess that’s what it’s really all about.” Advertisement Jagger said: “It’s obviously got a fair amount of humour because I don’t like anything too on the nose but it’s also got a sense of vulnerability of where we are as a country.” If the England Lost music video is anything to go by, it’s clear enough that Jagger – one of the great re-exporters of US folk music to American audiences, whose band made arguably its best album while holed up in France as tax exiles – has misgivings about a Britain turning inward.