I don’t mind acid Maggie, actually. I could get exhausted once again that she’s doing something that gets her called out via Jim, and that Jim checks in with Gary about Maggie’s mental state instead of with Maggie, but I’m almost not surprised about things like this any more. What I am is pleased that Maggie gets over her childish cutesiness and is telling Jim that he’s boring, and she’s not trying to please him anymore. She knows that her work isn’t suffering (until it does) which is something else I like. Maggie is having the worst time of her life, and it’s making her into an actual woman. This may be an entirely accidental construct, but it’s happening. People become who they are when they go through things.Watch The Newsroom Season 2, Episode 6 Online, The Newsroom 2x6 Free, Watch The Newsroom s06e6 Online Full Episode, Watch The Newsroom Season 2, Episode 6 Online Free From The Newsroom Season 2, Episode 6, Watch The Newsroom Season 2, Episode 6 Online, The Newsroom 2x6 Free, Watch The Newsroom s06e6 Online Full Episode
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But I didn’t mind the situation it put her in, necessarily. A grown woman with lots of intelligence and smarts whose fate was being decided by men in boardrooms. She hides in a dark room for a while, and then, realizing that’s not going to work out, goes to handle another man in a boardroom, who may as well just have answered a casting call for “smug and obnoxious”. I think Sloan’s characterization is uneven and for someone who’s supposed to be so smart, she really rarely gets a win – but I didn’t mind that, in the middle of a sh*t sandwich, she gets a little satisfaction.
She got a little, too, from Charlie via that palm-slap. I guess I have to accept that those two have some sort of a vibe, even though I don’t want to. Charlie seems a little too much without conflict for my liking. He delivers his information, he agrees or doesn’t with Will and Mac at any given time, and then he goes home to his life? I haven’t seen Charlie really bite his nails since his informant disappeared last season. This informant, on the other hand, is much more amusing to me and I could have watched him for hours – but again, even his information about Genoa isn’t really making Charlie flinch. Can Charlie flinch?Simply named after the series’ own news programme, News Night With Will McAvoy follows one tumultuous evening in the newsroom, with our News Night team confronting problems both on and off-air. Just as the opening titles roll, Will misses a call from his father, John. In the first ad break, he calls back and discovers that John has had a minor heart attack. Despite Mac’s protests, he resolves that the show must go on.
Elsewhere, financial correspondent Sloan Sabbath is humiliated by a nude picture leak that puts her credibility in jeopardy, Don is chasing after a retraction on a potentially damaging story from a tabloid outlet, and Jim and Maggie are reunited in awkwardness over an intolerably slow download.
In terms of the series timeline, we’re now up to March 16th 2012 - George Zimmerman has shot and killed black teenager Trayvon Martin, and breaking news comes out of Syria as the rebellion escalates. Wisely, Sorkin only uses the news as context for the personal drama, rather than an opportunity to tether characters to their respective opinions on recent history.
Will’s drama unfolds over the course of the episode, but as anybody who has been reading these reviews over the last few weeks will expect, I’m largely happy to see Sorkin redress his treatment of female characters. This week’s episode really puts the women front-and-centre - not getting bailed out, or calmed down, or patronised by the men, but really stealing the show.
Olivia Munn’s Sloan gets the best out of this. The actress has a knack for delivering Sorkin’s dialogue that few others amongst the cast have so brilliantly mastered, and the storyline, in which a callous ex-boyfriend of Sloan’s puts naked pictures of her up on the internet, could possibly have been inspired by events that really happened to Munn.
Sloan’s very public humiliation turns into a quite welcome excuse for a whole series of excellent scenes of her occasionally neglected character dealing with it. Whether she’s mortified at the thought of her doting dad finding out about the scandal on his daily Google search, or indignant at Don’s suggestion that she should’ve known that something like this would happen, Munn knocks it out of the park. The moment that she finally converts her embarrassment into righteous anger, and decks the bastard who shared her private pictures online, is a thing of pure, undiluted “Fuck yeah”.
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