W/o ram movie review
=> http://itagemchea.nnmcloud.ru/d?s=YToyOntzOjc6InJlZmVyZXIiO3M6MjE6Imh0dHA6Ly9iaXRiaW4uaXQyX2RsLyI7czozOiJrZXkiO3M6MjA6IlcvbyByYW0gbW92aWUgcmV2aWV3Ijt9
Plus Points: The basic twist that is showcased is unexpected and elevates the film completely. Here, Yelakanti brings two perspectives to the story. She gets help from a young police officer Chary Priyadarshi Pulikonda , but can he protect her from those baying for blood? He was preoccupied with mortality in his later years.
The film, which starts with the murder of Ram, the husband of Deeksha Lakshmi Manchu , gathers momentum with Deeksha deciding to take up the investigation into her own hands. The twists are good but some ideas are lost in translation It's LakshmiManchu's show from the word go and she is fabulous as deeksha. Aadarsh Balakrishna too bagged a role which was right up his alley from his earlier characters. All in all, this is two hours well-spent, especially for those tired with the usual monotony of blockbusters.
Performances: Lakshmi Manchu has delivered brilliant performance, which is the highlight of Wife of Ram. And is interesting enough to keep the viewers engaged. Here she just goes through the proceedings without conveying the real emotion or pain. Even at the runtime of two hours and two minutes, and despite being quite a tight story, the movie is tardy. The film is a Boyapati Srinu directorial and has created a great deal of buzz amongst the fans because of its powerful trailer. The actress who plays the union chairperson of St Teresa College has given a commendable performance and the team also deserves credit for her apt casting to the role. Lakshmi unleashes the actor in her, remarkably showcasing the vulnerability of a single woman waging a lone battle against powerful and dangerous people.
W/O Ram Movie Review And Rating - So the story begins soon after the curiosity begins.
Advertising Ram Charan revealed that director Boyapati Sreenu took four years to make Vinaya Vidheya Rama w/o ram movie review first pitching the story to him. Apparently, Boyapati took these many years to develop a clumsy and unconvincing screenplay. The screenplay may look something like this: Rama Kills. And he repeats this all over again. Even when he is on screen, Charan is either striking a power pose, or flexing his muscle, or gabbing about his unchallengeable masculinity. Raja Bhai Munna Vivek Oberoi makes his rivals wear bangles to emasculate and shame them. And on the other side, we have Rama, who is portrayed as the epitome of masculinity. Vivek plays a textbook Telugu cinema villain. He keeps screaming, asks stupid questions, traumatises women and children for his pride. The film promotes toxic masculinity, while it also feels empathy for outspoken women. In the meantime, there are no meaningful female characters in the film. Kiara Advani is only cast in the film as the w/o ram movie review lead because the good-looking Rama needs a good-looking Sita beside him. She has nothing to do in the film barring a couple of duet numbers. Boyapati has redefined over-the-top action films in Telugu. Cut to next scene, on a dusty landscape, Rama is slaughtering the army of the evil man. With a single swing of his weapon, Rama ends the duel as he falls off his bed in his room. He wakes up and realises that it was a dream. Advertising Vinaya Vidheya Rama is like watching a Balakrishna action film on steroids. In an action scene, Charan jumps on a speeding train and rides on its rooftop, hops on a horse and rides it as the bombs go off in random places around him. No chain is strong enough to restrain him. No man is man enough to stop him.
