Untitled


SUBMITTED BY: Guest

DATE: Feb. 4, 2013, 4:24 p.m.

FORMAT: Text only

SIZE: 16.1 kB

HITS: 1085

  1. Running sound in a reflective room... suggestions?
  2. I got hired to run sound for a couple of DIY metal shows in an art gallery (hardwood floors, high ceilings, no dampening, lots of open space) and I'm wondering what I can do to make it sound less shitty. Just going to be running the vocals through the PA, maybe kick too but there's no subs. I've heard that putting the speakers next to each other on stands instead of on each side of the stage could help with standing waves and feedback so I might try that. Any other tricks you live guys have come up with over the years? Here's a shot of the space:
  3. __________________
  4. Mercy Brown | Birdhouse Squirrel Recordings
  5. ChrisTanakaCanwell is offline
  6. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  7. Reply With Quote
  8. Old January 15th, 2013, 08:48 PM #2 (permalink)
  9. arv_foh
  10. Brian K
  11. arv_foh's Avatar
  12. Join Date: Oct 2006
  13. Location: Columbus, OH
  14. Posts: 2,661
  15. Quote:
  16. Originally Posted by ChrisTanakaCanwell View Post
  17. I've heard that putting the speakers next to each other on stands instead of on each side of the stage could help with standing waves and feedback so I might try that.
  18. False. All this is going to do is screw up your audience coverage and cause comb filtering.
  19. If possible tune the room with a 31 band EQ before the shows and attempt to tone down really offensive frequencies.. sometimes you will end up with a ridiculous looking graph like this if the room is REALLY bad.
  20. Basically all I can offer you is make the band play at a reasonable volume, the less reflections you have from stage volume the better it will sound, but with only kick and vocals in the PA, it's gonna be a crapshoot as to how it will sound anyways. What kind of boxes does the place have?
  21. __________________
  22. Audio Engineering, Graphic Design, and Photography
  23. www.btkaudio.com
  24. www.btkphoto.com
  25. arv_foh is offline
  26. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  27. Reply With Quote
  28. Old January 15th, 2013, 09:30 PM #3 (permalink)
  29. Trevoire520
  30. Senior Member
  31. Trevoire520's Avatar
  32. Join Date: Mar 2007
  33. Location: Fife, Scotland
  34. Posts: 4,201
  35. In all honesty a reflective room like that is going to nothing short of a nightmare. Rooms like this tend to get into "full frequency feedback" territory VERY quickly. Your only option is to get the band to play as quietly as physically possible, and for metal bands that's going to be incredibly difficult.
  36. If you manage to get the vocals audible above the backline at all I'd consider yourself extremely lucky.
  37. I would be tempted to say you should be considering doing some muting on the drums and cymbals to try and bring the overall volume down. Believe me it pains me to say it, and you'll get nothing but grief and bullshit from the bands and drummers, but if the room is as bad as I think it might be then it could really help you out.
  38. __________________
  39. Quote:
  40. Originally Posted by Shturmovik View Post
  41. And don't even get me started on fast double-kick runs that sound like a bag of potatoes being spilled down a flight of stairs when you listen to the tracks in solo!
  42. FS: Seymour Duncan Custom Humbucker - £40
  43. FS: Tama Swingstar Snare - £50
  44. Mastering/Stem Mastering - Very Reasonable Rates!
  45. Trevoire520 is offline
  46. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  47. Reply With Quote
  48. Old January 15th, 2013, 11:31 PM #4 (permalink)
  49. if6was9
  50. Ireland
  51. if6was9's Avatar
  52. Join Date: Jun 2007
  53. Location: lreland
  54. Posts: 1,442
  55. I did a gig in a similar art space not too long ago, it's pretty horrible. Bring gates if you're gonna mic any drums.
  56. If you have access to any really large draping curtain and a means to hang it then try that but it's not gonna do that much. I'd recommend draping the sides and back of the "stage" and throw some rugs/carpet on the floor.
  57. Rooms like that tend to have a really powerful reverb that mucks up everything. Drums and bass are the worst in this situation as the low end seems to excite the room and generate loads of the verb. Good luck!
  58. __________________
  59. -----------------------
  60. Check out my band Shardborne. E.P available for free!
  61. Bandcamp - http://shardborne.bandcamp.com
  62. Soundcloud - http://soundcloud.com/shardborne
  63. Facebook - http://www.facebook.com/ShardborneIreland
  64. Myspace - http://www.myspace.com/shardborne
  65. if6was9 is offline
  66. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  67. Reply With Quote
  68. Old January 15th, 2013, 11:39 PM #5 (permalink)
  69. Sloan
  70. Sounds like shit!
  71. Sloan's Avatar
  72. Join Date: Oct 2006
  73. Location: Cleveland, TN
  74. Posts: 4,180
  75. View myspace profile
  76. Do your best.
  77. __________________
  78. SloanZone Audio | SloanStewart | Strayfire | 40oz. Folklore
  79. Yamaha HS80M / Audio Technica ATH-M50
  80. Sloan is offline
  81. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  82. Reply With Quote
  83. Old January 15th, 2013, 11:52 PM #6 (permalink)
  84. ChrisTanakaCanwell
  85. Senior Member
  86. ChrisTanakaCanwell's Avatar
  87. Join Date: Apr 2008
  88. Location: Washington
  89. Posts: 477
  90. Quote:
  91. Originally Posted by arv_foh View Post
  92. False. All this is going to do is screw up your audience coverage and cause comb filtering.
  93. Good to know; thanks
  94. Quote:
  95. Originally Posted by arv_foh View Post
  96. If possible tune the room with a 31 band EQ before the shows and attempt to tone down really offensive frequencies..
  97. ...
  98. Basically all I can offer you is make the band play at a reasonable volume, the less reflections you have from stage volume the better it will sound, but with only kick and vocals in the PA, it's gonna be a crapshoot as to how it will sound anyways. What kind of boxes does the place have?
  99. It's an old Sunn powered mixer and two JBL 12/horns on stands They know the acoustics are horrible in there (I did a loud doom metal band with clean female vocals in there a couple months ago), but it's low-budget and they just want someone there for damage control. I'd still like to do whatever I can though!
  100. Quote:
  101. Originally Posted by Trevoire520 View Post
  102. In all honesty a reflective room like that is going to nothing short of a nightmare. Rooms like this tend to get into "full frequency feedback" territory VERY quickly. Your only option is to get the band to play as quietly as physically possible, and for metal bands that's going to be incredibly difficult.
  103. If you manage to get the vocals audible above the backline at all I'd consider yourself extremely lucky.
  104. I would be tempted to say you should be considering doing some muting on the drums and cymbals to try and bring the overall volume down. Believe me it pains me to say it, and you'll get nothing but grief and bullshit from the bands and drummers, but if the room is as bad as I think it might be then it could really help you out.
  105. Word. It's crusty underground bands so I'm hoping they'll be more willing to put their egos aside and do what they can
  106. Quote:
  107. Originally Posted by if6was9 View Post
  108. I did a gig in a similar art space not too long ago, it's pretty horrible. Bring gates if you're gonna mic any drums.
  109. If you have access to any really large draping curtain and a means to hang it then try that but it's not gonna do that much. I'd recommend draping the sides and back of the "stage" and throw some rugs/carpet on the floor.
  110. Rooms like that tend to have a really powerful reverb that mucks up everything. Drums and bass are the worst in this situation as the low end seems to excite the room and generate loads of the verb. Good luck!
  111. Good idea... I might try to gate/expand the vocals too now that you mention it. Maybe the promoters can round up some dampening material. Thanks!
  112. __________________
  113. Mercy Brown | Birdhouse Squirrel Recordings
  114. ChrisTanakaCanwell is offline
  115. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  116. Reply With Quote
  117. Old January 15th, 2013, 11:53 PM #7 (permalink)
  118. ChrisTanakaCanwell
  119. Senior Member
  120. ChrisTanakaCanwell's Avatar
  121. Join Date: Apr 2008
  122. Location: Washington
  123. Posts: 477
  124. Quote:
  125. Originally Posted by Sloan View Post
  126. Do your best.
  127. __________________
  128. Mercy Brown | Birdhouse Squirrel Recordings
  129. ChrisTanakaCanwell is offline
  130. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  131. Reply With Quote
  132. Old January 16th, 2013, 12:15 AM #8 (permalink)
  133. if6was9
  134. Ireland
  135. if6was9's Avatar
  136. Join Date: Jun 2007
  137. Location: lreland
  138. Posts: 1,442
  139. Quote:
  140. Originally Posted by ChrisTanakaCanwell View Post
  141. Good to know; thanks
  142. It's an old Sunn powered mixer and two JBL 12/horns on stands They know the acoustics are horrible in there (I did a loud doom metal band with clean female vocals in there a couple months ago), but it's low-budget and they just want someone there for damage control. I'd still like to do whatever I can though!
  143. Word. It's crusty underground bands so I'm hoping they'll be more willing to put their egos aside and do what they can
  144. Good idea... I might try to gate/expand the vocals too now that you mention it. Maybe the promoters can round up some dampening material. Thanks!
  145. The Arty crowd might have some heavy curtain /material.
  146. Gating the vocal is an option but be careful and err on the side of caution. Vocalists can be very dynamic and they can interpret their vocal cutting out on super quiet sounds as it being broken.
  147. Also in my experience, crusty underground bands are the least understanding about playing to the room. Bands not used to a decent sound setup are usually the most ignorant of the problems involved with live sound and see anything the engineer asking them to change as the engineer not knowing what the band sound like.
  148. __________________
  149. -----------------------
  150. Check out my band Shardborne. E.P available for free!
  151. Bandcamp - http://shardborne.bandcamp.com
  152. Soundcloud - http://soundcloud.com/shardborne
  153. Facebook - http://www.facebook.com/ShardborneIreland
  154. Myspace - http://www.myspace.com/shardborne
  155. if6was9 is offline
  156. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  157. Reply With Quote
  158. Old January 16th, 2013, 12:42 AM #9 (permalink)
  159. slo77y
  160. Member
  161. Join Date: Aug 2010
  162. Posts: 70
  163. tape the cymbals.
  164. mic the kick, high pass it to just get the attack on the PA.
  165. turn the vocals super loud.
  166. mix the band with their backline, including eq sections of amplifiers and volume controls (be prepared to get shitstormed by the band)
  167. bring A LOT of people in to dampen the room.
  168. ultimately: run away. honestly, theres no real way of fixing this.
  169. slo77y is offline
  170. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  171. Reply With Quote
  172. Old January 16th, 2013, 02:47 AM #10 (permalink)
  173. Mashreef
  174. Killing machine Ezx
  175. Mashreef's Avatar
  176. Join Date: Jul 2012
  177. Location: Chittagong,Bangladesh
  178. Posts: 522
  179. use a noise gate
  180. __________________
  181. https://www.facebook.com/pages/Silen...47464358626050
  182. https://www.facebook.com/pages/Studio-X50/521916774501968
  183. Mashreef is offline
  184. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  185. Reply With Quote
  186. Old January 16th, 2013, 04:42 AM #11 (permalink)
  187. MotherEel
  188. Senior Member
  189. MotherEel's Avatar
  190. Join Date: Jun 2008
  191. Location: Blue Mountains, Australia
  192. Posts: 766
  193. Put the speakers well forward of the mics. See if you can hang some blankets or similar behind the band.
  194. __________________
  195. Grindhead Records - Free Postage Worldwide
  196. Website, Facebook, Myspace
  197. Mother Eel - Providers of Intense Stoner Death Grind
  198. Website, Facebook, Myspace
  199. MotherEel is offline
  200. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  201. Reply With Quote
  202. Old January 16th, 2013, 10:15 AM #12 (permalink)
  203. baalzebubba
  204. Junior Member
  205. baalzebubba's Avatar
  206. Join Date: Feb 2011
  207. Location: Vancouver, WA USA
  208. Posts: 22
  209. Do you best to fill the room with people. They can be your broadband gobos. The height reflections are going to be something that you cannot mitigate without treatment.
  210. Another thought... more booze to the guests. Then they wont notice. I suggest booze for you too so you wont notice or care.
  211. __________________
  212. IA IA ! ! ! !
  213. baalzebubba is offline
  214. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  215. Reply With Quote
  216. Old January 16th, 2013, 10:38 AM #13 (permalink)
  217. -Noodles-
  218. 3 Initals Mixer
  219. -Noodles-'s Avatar
  220. Join Date: Dec 2007
  221. Posts: 1,152
  222. Keep the speakers (including guitar cabs) pointed at the middle audience.
  223. Using the audience as absorbers will ensure they will at least hear some of the band's sound, rather than the huge diffuse field.
  224. Looks like a cool room for acoustic artists though!
  225. __________________
  226. this time will be different.
  227. just like every other time.
  228. -Noodles- is offline
  229. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  230. Reply With Quote
  231. Old January 16th, 2013, 12:53 PM #14 (permalink)
  232. HCL
  233. Holy Crap! Lions!
  234. HCL's Avatar
  235. Join Date: Jul 2010
  236. Location: Plymouth, UK
  237. Posts: 413
  238. Don't do it if the bands' music is stylistically tight and relies on a separated sound, try and get bands that work with a reverby vibe.
  239. Don't overdo the high end, that would just be a nightmare.
  240. +1 to blankets. Get loads of them.
  241. HCL is offline
  242. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  243. Reply With Quote
  244. Old January 16th, 2013, 07:48 PM #15 (permalink)
  245. SethTheGreat
  246. Senior Member
  247. Join Date: Feb 2010
  248. Location: Gainesville, TX
  249. Posts: 196
  250. I've been involved in some pretty great sounding shows in very similar situations. I would suggest getting in contact with the bands in advance and talking with them about having to work TOGETHER to make it sound good in there. With some thorough communication, most bands (unless they're just total assholes) should be ok with you touching the knobs on their amps and stuff.
  251. In my experience, shows sound terrible when the sound guy's only request is "turn it down!" It pisses the band off and doesn't usually fix much.
  252. If one of the guitar amps is ear-piercingly shrill, get in there and turn the treble down, etc..
  253. Setting up a back-line is also an idea, but probably more trouble than it's worth. Usually just pisses everybody (including you) off.
  254. Edit: And if you decide to put the high end of the kick through the PA, you might try to get your hands on a compressor. It helps muchas.
  255. Last edited by SethTheGreat : January 16th, 2013 at 07:53 PM.
  256. SethTheGreat is offline
  257. Digg this Post!Add Post to del.icio.usBookmark Post in TechnoratiFurl this Post!
  258. Reply With Quote
  259. Old January 17th, 2013, 02:33 PM #16 (permalink)
  260. arv_foh
  261. Brian K
  262. arv_foh's Avatar
  263. Join Date: Oct 2006
  264. Location: Columbus, OH
  265. Posts: 2,661
  266. Sidewashing guitar amps might help but in a room that reflective I'm not positive.. Couldn't hurt to try though
  267. __________________
  268. Audio Engineering, Graphic Design, and Photography

comments powered by Disqus