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In my work his writings and drawings are still in our modern design age! The maxims he gave me in our rare phone conversations are passed on to every aspiring designer who contacts me. For me both as a person and a designer one of his most important lessons was humility in the face of adulation. His willingness to stand back and let the drawings and boats stand or fall on their own merits was a revelation to me when I first encountered it. In an age 40 years ago when designers such as Phil Rhodes and Olin Stephens wore a clean white shirt and tie every day without fail, Bill Garden was casual and approachable in paint spattered overalls. The impression he gave was that William Garden did not take himself or this business of design too seriously. One always finds clues to this in the drawings; old carrot nose asleep in a corner, the casual rounded lettering, freehand shading, occasional full size details of a casting or tricky bit, the rum keg, and wildly varying line weights. That instantly recognizable drawing style captivated the observer and indicated a creator head over heels in love with the whole idea of this particular boat. Almost incidentally the drawings are also great art. This is another important lesson from Mr. If the designer can transmit his understanding of the vision, the boat is sold. I find myself repeating his advice often. Another William Garden lesson involves regional design character. His example proved that strong regional design in his case Pacific Northwest could compete on the world market. More significantly, his raised pilothouse with wrap-around dodger style motoryachts starting with Blue Heron I became recognized worldwide as PNW designs and continue to be a popular style in current production. Witness Italian production of something called Downeast Lobster Boats that resemble nothing this side of a running shoe. Is it derivative or is it original work? These are examples of commercial possibilities, but more exciting for the designer are the long and lean radical concepts like Oceanus, Claymore, Tlingit, and Captain Teach. Designs which pushed both stylistic and technical boundaries in their day. He will be missed but his work is well cared for and remains available.
