Its narrative flow reveals things in exactly the right order. He works out intricate ways of showing her naïveté, her liabilities as an interpreter of what she sees, but also her deductive smarts, her sensitivity to pain and her need for affection. I listened to the audio version, and I enjoyed it. It's very important, if you're intending to read this book, that you don't read any reviews or listen to any talk about it first. When you complete the mission forced upon you, is the sum of your life what you gave to society, or what you secretly stole from it to keep for yourself? Never let me go är självklart berättelsen om en alternativ verklighet där människor klonas för att på så sätt tillhandahålla reservdelar åt resten av befolkningen.
From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly re-imagines our world and time in a haunting story of friendship and love. As a child, Kathynow thirty-one years oldlived at Hailsham, a private school never let me go recension the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory. And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbedeven comfortedby their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham's nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhoodand about their lives now. A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonanceand takes its place among Kazuo Ishiguro's finest work. Excerpt Never Let Me Go My name is Kathy H. I'm thirty-one years old, and I've been a carer now for over eleven years. That sounds long enough, I know, but actually they want me to go on for another eight months, until the end of this year. That'll make it almost exactly twelve years. Now I know my being a carer so long isn't necessarily because they think I'm fantastic at what I do. There are some really good carers who've been told to stop after just two or three years. And I can think of one carer at least who went on for all of fourteen years despite being a complete waste of space. So I'm not trying to boast. But then I do know for a fact they've been pleased with my work, and by and large, I have too. My donors have always tended to do much better than expected. Okay, maybe I am boasting. Please be aware that this discussion guide may contain spoilers. She and her best friends, Ruth and Tommy, were encouraged by their teachers to create works of art from an early age, to collect cherished objects, and to take good care of their health. There are no parents in their world, only a handful of teachers, some of whom seem to be deeply troubled by their position at the school. Kathys friend Ruth is bossy and manipulative, while Kathy herself is gentle and self-contained. Both are drawn to Tommy, a boy given to explosive fits of temper. What is revealed, as Kathys reminiscences. The problem for the reviewer, appropriately enough, is that by revealing more of what the book is about he risks going too far and unravelling its meticulously woven fabric of hints and guesses. So I'll leave it there. Suffice it to say that this very weird book is as intricate, subtly unsettling and moving as any Ishiguro has written. That he contrives to do so in a narrative crawling with creepy frissons is never let me go recension. Not the least out-of-the-ordinary feature of this novel, with its piercing questions about humanity and humaneness, is the way it affectingly moves past gothic shudders to a wrenchingly desolate ending. But in its evocation of a pervasive menace and despair almost but not quite lost in translation - made up of the shadows of things not said, glimpsed out of the corner of one's eye - the novel is masterly. It's about why we don't explode, why we don't just wake up one day and go sobbing and crying down the street, kicking everything to pieces out of the raw, infuriating, completely personal sense of our lives never having been what they could have been. That you were less than human, so it didn't matter. A masterpiece of craftsmanship that offers an unparalleled emotional experience. Publishers Weekly starred review So exquisitely observed that even the most workaday objects and interactions are infused with a luminous, humming otherworldliness. The dystopian story it tells, meanwhile, gives it a different kind of electric charge. never let me go recension An epic ethical horror story, told in devastatingly poignant miniature. Ishiguro spins a stinging cautionary tale of science outpacing ethics. Kazuo Ishiguro was born in Nagasaki, Japan in 1954. He came to Britain at the age of six when his father began research at the National Institute of Oceanography. He was educated at a grammar school for boys in Surrey and then read English and Philosophy at the University of Kent, Canterbury, followed by a creative writing course at the University of East Anglia. In 1981 he published three short stories, then in 1982 he published A Pale View of Hills. In 1983 he was nominated by Granta magazine as one of the 20 'Best of Young British Writers'. An Artist of the Floating World followed in 1986, it won the Whitbread Book of the Year award and was short listed for the Booker Prize for Fiction.
