"Enochian Pronunciation Guide" by Anton Szandor LaVey


SUBMITTED BY: Guest

DATE: Jan. 19, 2014, 3:01 p.m.

FORMAT: Text only

SIZE: 4.8 kB

HITS: 726

  1. Enochian Pronunciation Guide
  2. Anton Szandor LaVey
  3. from The Cloven Hoof, May V A.S. (1970 c.e.)
  4. Of all the questions asked pertaining to the contents of The Satanic
  5. Bible, the most frequent is concerning the pronunciation of the Enochian
  6. Keys. I wish to stress the fact, before even dealing with the recommended
  7. pronunciation, that the importance should be placed upon the rhythmic and
  8. sequential delivery of the words, rather than a scholarly attempt to pronounce
  9. them properly.
  10. The original renditions of the Keys were written in much the same way
  11. as Hebrew; i.e., the letters are only represented by consonants, with the
  12. vowel sounds unwritten. Only one other translation of the Keys is available
  13. — Israel Regardie’s inclusion in his monumental twenty-five dollar work called
  14. The Golden Dawn [since 1970, other editions have appeared in print, and the
  15. price of Regardie’s book is now a good deal more! ed.]. The Keys in Regardie’s
  16. work are a “white light” translation and occupy a scant few pages at the end
  17. of his two-volume compendium of the rituals of the Order of the Golden Dawn.
  18. They are presented in their Enochian form with only consonants to read by, so
  19. that “Zodoreje” would read “Zdrj.” As you can see, this makes it decidedly
  20. tougher to pronounce!
  21. There are various opinions as to the proper pronunciation, just as in
  22. Latin there are sometimes several ways of pronouncing the same word, depending
  23. on the regional and historical speech pattern. So it is with Enochian. The
  24. word “Cahisa,” if one is to prefer a soft sound pattern, would be read
  25. “SA-HEE-SHAH”—the most prevalent pronunciation, however, would be “KA-HEE-SAH,”
  26. or just the way it looks like it would be said. Generally, all consonants
  27. should be given a hard sound: C as in cake, S as in salt, G as in gold, J as
  28. in just, etc.
  29. The delivery of the words should be as deliberate and prolonged as possible,
  30. with no attempt made to jabber them quickly to show how proficient in the
  31. language you are! For those who saw Rosemary’s Baby [or The Devil’s Rain, for
  32. which LaVey himself coached the extras] , you will recall the slow solemnity
  33. of the chants, performed in almost a monotone. Each syllable should be spoken
  34. with great deliberation, care being given not to skim over the sounds. A word
  35. like “beliore” should result in “BAY-LEE-OAR-RAY.” “Busada” should come out
  36. “BOO-SAH-DAH.” Where two identical vowels are shown together, as in “Ooa,”
  37. the pronunciation would be “OH-OH-AH.”
  38. I find most annoying the person who demands a word-for-word translation of
  39. the Keys, not realizing they are virtually like Pigeon English in their lack of
  40. grammatical nuance and literary style. If they were to be translated literally,
  41. you may be assured that the chanter would sound most inarticulate! Because the
  42. English language is a glorious display of words, it is criminal not to avail
  43. oneself of the majestic vocal renditions made possible by such a language. In
  44. the ceremonies which I have conducted, I have always spoken the key I have
  45. chosen both in English and Enochian.
  46. As a short example of pronunciation, here is
  47. THE SIXTEENTH ENOCHIAN KEY
  48. (written phonetically)
  49. Ee-lah-sah vi-vee-ah-lah pay-ray-tah! Sah-lah-mah-noo bah-lah-tah, dahs
  50. ah-cah-row oh-dah-zoe-dee boo-sah-dah, ode bay-lee-oh-rock-sah bah-lee-tah:
  51. Dahs ee-noo-see kah-oh-sah-jee loo-sah-dah-noo ay-mow-dah: Dahs oh-may ode
  52. tah-lee-oh-bay: dah-ree-lah-pah ee-ay-hay ee-lah-sah Mah-dah Zoe-dee-low-dah-ray-pay.
  53. Zoe-dah-cah-ray ode Zoe-dah-may-rah-noo. Oh-doe kee-cah-lay Kwah-ah:
  54. Zoe-doe-ray-jay, lah-pay zoe-dee-ray-doe Noe-coe Mah-dah, Hoe-ah-thah-hay
  55. Sigh-tahn!
  56. Suggested Enochian Keys
  57. for Various Rituals and Ceremonies
  58. Anton Szandor LaVey
  59. from The Cloven Hoof, June V AS (1970 c.e.)
  60. Vengeance & Destruction: Keys 12, 14, 17
  61. Lust & Weddings: Keys 2, 7, 13
  62. Funerals: Key 11
  63. Compassion: Keys 16, 18,
  64. Power: Keys 1, 3, 8
  65. Traditional Black Mass: Keys 5, 15
  66. Pride & Rejoicing: Key 18
  67. Enochian Pronunciation Guide, originally appeared in The Cloven Hoof,
  68. May issue, V AS, Suggested Enochian Keys for Various Rituals and Ceremonies
  69. originally appeared in The Cloven Hoof, June issue, V AS, and both are
  70. copyright © by The Church of Satan and may not be reprinted without permission.
  71. http://www.churchofsatan.com/Pages/EnochianGuide.html
  72. .

comments powered by Disqus