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The film was directed by Rajshree Ojha with Sonam in the lead role. The film marks the comeback of the hit jodi of Salman Khan and Sooraj Barjatya. It truly is fast, simple, free and additionally to attempt. The film had broken many box office records.
As the song got over, all the couples parted and everyone broke into loud applause with huge smile on face. But she was sincere 4 arnav like a loser. Guess as usual La will end up being with NK. It is actually once again getting me back to what I used to be. Dum dum dukur dukur. But somehow, reading your other stories I felt that you may not glad the same path. He was lost looking at her in his favorite color and was sure today would be the same. While the Salman-Aishwarya jodi was a hit with the audience, the Salman-Sonam pairing is also being appreciated by the audience. THIS SONG: Swirling with the music Arnav met behind as he slid his both hands down her arms encompassing Khushi in his arms. This song is sung by Aishwarya Majumdar, Palak Muchhal, Shaan, Darshan Raval, Mohammed Irfan, Palak Muchhal, Shaan, Anwesl, Harshdeep Kaur, Shabab Sabri, Vineet Singh, Palak Muchhal, Himesh Reshammiya. Rly enjoyed d limbo. But what happens when Vijay gets fine?.
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In one of the most evocative scenes of Prem Ratan Dhan Payo, Anupam Kher, the trusted master of ceremonies in many a Rajshri film, tells Salman Khan that simplicity is your biggest prize. Together, they take us back to a pristine cinematic utopia, which the mind finds hard to react to but the heart responds. It is like that Diwali cracker that continues to catch our fancy. At a time when Hindi cinema is digging deep into complex realities of modern day family, Sooraj makes a shiny statement on tradition and values of joint family. No wonder, the villain of the piece is a CEO, who manipulates members for the family to his advantage. It seems like a comment on the times when even relationships are managed, when money is everything. Sooraj stretches the Brajatya barometer a bit this time and looks at the corrupt practices that have seeped into the Hindu family system. There is a patriarch who wants to bring his love children and legitimate kids under one roof. And above all Prem is an outsider here who comes to the family to spread love and underline the value of relationships. Genre: Drama Director: Sooraj R. Logic is again in short supply and once again many will find that the idea is dated. But over the years the banner has managed to strike a chord with the ingenuous amongst us. Take the case of a crucial scene where the prince of a state turns a sober event into a football match between boys and girls in all age groups. It starts from Ayodhya and Ram Leela, the setting of the biggest family drama of all times, and quickly moves on to unravel Prem leela. Prem Dilwale Salman Khan is a big-hearted, small town artist, who contributes liberally to a charity run by princess Maithili Sonam Kapoor. This time when he learns that she is coming to the neighbourhood state, he decides to meet her in person. Little did he know that the state is ruled by prince Vijay Singh Salman in a double role , who is his look alike. He enjoys the moments and makes the infantile-looking situations work. There is not much to convey between the lines and Sonam sparkles in such an atmosphere. They are stereotypes that fit into the Rajshri crossword without demanding any clue. It is Deepak Dobriyal who rises above the staple friend. His scenes with Salman provide some sinew to the melodrama. Wish Himesh Reshammiya were a little more consistent in a film that runs for almost three hours to accommodate all his compositions. Wish the dialogues had a little more punch.
