Space Time Continuum With Terence McKenna


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DATE: May 11, 2013, 2:27 a.m.

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  1. Newsgroups: alt.drugs
  2. SPACE TIME CONTINUUM
  3. WITH TERENCE MCKENNA
  4. ALIEN DREAMTIME
  5. WARNING!
  6. The following pages contain the words to the Space Time Continuum / Alien
  7. Dreamtime album and are to be used as reference material after the album
  8. has been smealed, grokked, or otherwise brainally infused. Do yourself a
  9. favor and discontinue further reading of these pages if you have not first
  10. listened to the album.
  11. You have been warned.
  12. Alien Dreamtime was a multi media event recorded live on February
  13. 26th/27th 1993 at the Transmission theater, San Francisco, Ca. A video of
  14. this event produced by Rose-X media house is available through City of
  15. Tribes Communications 63 Fountain st, SF, Ca 94114. The didgeridoo is
  16. played with the greatest respect for all the aboriginal people of
  17. Australia and the spirit of all first world people. All tracks published
  18. by Space Monkey.
  19. Archaic Revival
  20. Allright... tonight, for your edification and amusement... three
  21. raves, two interregnums. Visions by Rose X. Didgeredoo, Stephen Kent.
  22. And sound by Space Time. Words and ideas by Terence McKenna. Rap one:
  23. The Archaic Revival.
  24. History is ending, because the dominator culture has led the human
  25. species into a blind alley. And as the inevitable chaostrophe approaches,
  26. people look for metaphors and answers. Every time a culture gets into
  27. trouble, it casts itself back into the past looking for the last sane
  28. moment it ever knew. And the last sane moment we ever knew was on the
  29. plains of Africa, 15,000 years ago, rocked in cradle of the great horned
  30. mushroom goddess before history. Before standing armies, before slavery
  31. and property, before warfare and phonetic alphabets and monotheism.
  32. Before, before, before. And this is where the future is taking us.
  33. Because the secret faith of the 20th century is not modernism. The secret
  34. faith of the 20th century is nostalgia for the archaic, nostalgia for the
  35. Paleolithic, and that gives us body piercing, abstract expressionism,
  36. surrealism, jazz, rock and roll, and Catastrophe Theory. The 20th century
  37. mind is nostalgic for the paradise that once existed on the
  38. mushroom-dotted plains of Africa, where the plant-human symbiosis occurred
  39. that pulled us out of the animal body and into the tool-using,
  40. culture-making, imagination-exploring creature that we are.
  41. And why does this matter? It matters because it chose that the
  42. way out is back, and that the future is a forward escape into the past.
  43. This is what the psychedelic experience means. Its a doorway out of
  44. history and into the wiring under the board in eternity. And I tell you
  45. this because if the community understands what it is that holds it
  46. together, the community will be better able to streamline itself for
  47. flight into hyperspace. Because what we need is a new myth. What we need
  48. is a new true story that tells us where were going in the universe. And
  49. that true story is that the ego is a product of pathology and that when
  50. psilocybin is regularly part of the human experience, the ego is
  51. suppressed. And the suppression of the ego means the defeat of the
  52. dominators, the materialists, the product peddlers. Psychedelics return
  53. us to the inner worth of the self, to the importance of feeling immediate
  54. experience. And nobody can sell that to you and nobody can buy it from
  55. you, so the dominator culture is not interested in the felt presence of
  56. immediate experience. But thats what holds the community together. And
  57. as we break out of the silly myths of science and the infantile obsessions
  58. of the marketplace, what we discover through the psychedelic experience is
  59. that in the body-- in the body-- there are Niagara of beauty, alien
  60. beauty, alien dimensions that are part of the self, the richest part of life.
  61. I think of going to the grave without having a psychedelic
  62. experience, like going to the grave without having sex. It means that you
  63. never figured out what it was all about. The mystery is in the body, and
  64. the way the body works itself into nature. What the archaic revival means
  65. is shamanism, ecstasy, orgiastic sexuality, and the defeat of the three
  66. enemies of the people, and the three enemies of the people are pechemony,
  67. monogamy, and monotony. And if you get them on the run, you have the
  68. dominators sweating, folks. Because that means that youre getting it all
  69. reconnected, and get it all reconnected means putting aside the idea of
  70. separateness and self-definition through thing fetish. Getting it all
  71. connected means tapping into the Gaian mind. And the Gaian mind is what
  72. were calling the psychedelic experience. Its an experience of the living
  73. fact of the entelechy of the planet, and without that experience we wander
  74. in a desert of bogus ideologies, but with that experience, the compass of
  75. the self can be set. And thats the idea, that were figuring out how to
  76. reset the compass of the self, through community, through ecstatic dance,
  77. through psychedelics, intelligence-- intelligence... this is what we have
  78. to have to make the forward escape into hyperspace.
  79. Im gonna take five here, and uh, well be back and chat some more.
  80. Alien Love
  81. Hello... so, that was like an introduction, ha ha! Now for some
  82. preaching to the choir on the subject of: How come it is that the further
  83. in you go, the bigger it gets? I remember the very, very first time I
  84. smoked DMT. It was sort of a benchmark, you might say. And I remember
  85. that this friend of mine that always got there first, visited me with this
  86. little glass pipe, and this stuff which looked like orange mothballs. And
  87. since I was a graduate of Dr. Hoffmans, I figured there were no surprises.
  88. So the only question I asked was how long does it last? And he said,
  89. About five minutes. So, I did it. And...
  90. There was uh, something like a flower. Like a chrysanthemum in
  91. orange and yellow that sort of spinning. Spinning. And then, it was like
  92. I was pushed from behind and I fell through the chrysanthemum into another
  93. place that didnt seem like a state of mind. It seemed like another place.
  94. And what was going on in this place (aside from the tastefully soffited
  95. indirect lighting and the crawling hallucinations along the domed wall),
  96. what was happening was that there were a lot of beings in there, a lot of
  97. what I call self-transforming machine elves. Sort of like jeweled
  98. basketballs all dribbling their way toward me. And if they had faces they
  99. wouldve been grinning at me, but they didnt have faces. And they assured
  100. me that they loved me, and they told me not to be amazed, not to give way
  101. to astonishment. And so I watched them, even though I wondered if maybe I
  102. hadnt really done it this time! And what they were doing, was they were
  103. making objects come into existence by singing them into existence.
  104. Objects which looked like Faberge eggs from Mars, morphing themselves with
  105. Mandaean alphabetical structures. They looked like the concrescence of
  106. linguistic intentionality put through a kind of hyperdimensional transform
  107. into three-dimensional space. And these little machines offered
  108. themselves to me. And I realized when I looked at them, that if I could
  109. bring just one of these little trinkets back, nothing would ever be quite
  110. the same again.
  111. And I wondered where am I? And what is going on? And it occurred
  112. to me that these must be holographic viral projections from an autonomous
  113. continuum that was somehow intersecting my own. And then I thought, a more
  114. elegant explanation would be to take it at face value, and realize that I
  115. had broken into an ecology of souls, and that somehow I was getting a peek
  116. over the other side. Somehow, I was finding out that thing, that you
  117. cheerfully assume you cant find out... but it felt like I was finding out.
  118. And it felt... and then I cant remember what it felt like because the
  119. little self-transforming tikes interrupted me and said, Dont think about
  120. it. Dont think about who we are-- think about doing what were doing. Do
  121. it! Do it now. Do it!
  122. Speaking in Tongues
  123. And what they meant was: use your voice to make an object. And as I
  124. understood I felt a bubble kind of grow inside of me. And I watched these
  125. little elf tikes jumping in and out of my chest (they liked to do that to
  126. reassure you), and they said, Do it! And I felt language rise up in me
  127. that was unhooked from English and I began to speak like this:
  128. Eeeoo ded hwauopsy mectoph, mectagin dupwoxin, moi phoi wops eppepepekin
  129. gitto phepsy demego doi aga din a doich demoi aga donc heedey obectdee
  130. doohueana.
  131. (Or words to that effect). And I wondered then what it all meant, and why
  132. it felt so good (if it didnt mean anything). And I thought about it a few
  133. years, actually, and I decided, you know, that meaning and language are
  134. two different things. And that what the alien voice in the psychedelic
  135. experience wants to reveal is the syntactical nature of reality. That the
  136. real secret of magic, is that the world is made of words, and that if you
  137. know the words that the world is made of, you make of it, whatever you wish!
  138. Eh moi dea doi phegenheggo...
  139. And one of the things that I learned about DMT, was that, if you ever had
  140. it, even just once, then you can have a dream. And in this dream somebody
  141. will pull out a little glass pipe, and then it will happen. It will
  142. happen just like the real thing. Because theres a button somewhere inside
  143. each and every one of us that gives you a look into the other side. And
  144. thats the button that resets the compass that tells you where you want to
  145. sail. Good luck!
  146. Timewave Zero
  147. Hello, all right. Have you ever noticed how, um, theres this
  148. quality to reality, which comes and goes and kind of, ebbs and flows. And
  149. nobody ever mentions it, or has a name for it. Except that some people
  150. call it a bad hair day or they say, Things are really weird recently. And
  151. I think we never notice it and we never talk about it because were
  152. embedded in a culture that expects us to believe that all times are the
  153. same, and that your bank account doesnt fluctuate, except according to the
  154. vicissitudes of your own existence. In other words, every moment is
  155. expected to be the same, and yet this isnt what we experience. And so
  156. what I noticed was that, running through reality is the ebb and flow of
  157. novelty. And some days, and some years, and some centuries are very novel
  158. indeed. And some aint. And they come and go on all scales, differently,
  159. interweaving, resonantly. And this is what time seems to be.
  160. And science has overlooked this, this most salient of facts about
  161. nature, that nature is a novelty-conserving engine. And that from the
  162. very first moments of that most improbable Big Bang, novelty has been
  163. conserved, because in the very beginning there was only an ocean of energy
  164. pouring into the universe. There were no planets, no stars, no molecules,
  165. no atoms, no magnetic fields. There was only an ocean of free electrons.
  166. And then, time passed. And the universe cooled. And novel structures
  167. crystallized out of disorder. First, atoms. Atoms of hydrogen and
  168. helium. Aggregating into stars. And at the center of those stars, the
  169. temperature and the pressure created something which had never been seen
  170. before, which was: fusion. And fusion, cooking in the hearts of stars,
  171. brought forth more novelty. Heavy elements, iron, carbon, forvalent
  172. carbon. And as time passed, there not only then, elemental systems, but
  173. because of the presence of carbon and the lower temperatures in the
  174. universe, molecular structures and out of molecules come simple subsets of
  175. organisms, the genetic machinery for transcripting information,
  176. aggregating into membranes, always binding novelty, always condensing
  177. time, always building and conserving upon complexity and always faster and
  178. faster and faster... and then, we come to ourselves. And where do we fit
  179. into all of this?
  180. Five million years ago, we were an animal of some sort. Where
  181. will we be five million years from tonight? What we represent is not a
  182. sideshow, or an epiphenomenon, or an ancillary something-or-other on the
  183. edge of nowhere. What we represent is the nexus of concressent novelty
  184. that has been moving itself together, complexifying itself, folding itself
  185. in upon itself, for billions and billions of years. There is, so far as
  186. we know, nothing more advanced than what is sitting behind your eyes. The
  187. human neocortex is the most densely ramified and complexified structure in
  188. the known universe. We are the cutting edge of organismic transformation
  189. of matter in this cosmos. And this has been going on for awhile. Since
  190. the discovery of fire, since the discovery of language, but now, and by
  191. now, I mean for the last 10,000 years, weve been into something new: not
  192. genetic information, not genetic mutation, not natural selection, but
  193. epigenetic activity. Writing, theatre, poetry, dance, art, tattooing,
  194. body-piercing, and philosophy. And these things have accelerated the
  195. ingression into novelty so that we have become an idea-excreting force in
  196. nature that builds temples, builds cities, builds machines, social
  197. engines, plans, and spreads over the earth, into space; into the
  198. microphysical domain; into the macrophysical domain. We, who five million
  199. years were animals, can kindle in our deserts and if necessary upon the
  200. cities of our enemies, the very energy which lights the stars at night.
  201. Now, something peculiar is going on here. Something is calling us
  202. out of nature and sculpting us in its own image. And the confrontation
  203. with this something is now not so far away. This is what the impending
  204. apparent end of everything actually means. It means that the denouement
  205. of human history is about to occur and is about to be revealed as a
  206. universal process of concressing and expressing novelty that is now going
  207. to become so intensified that it is going to flow over into another dimension.
  208. You can feel it. You can feel it in your own dreams. You can
  209. feel it in your own trips. You can feel that were approaching the cusp of
  210. a catastrophe, and that beyond that cusp, we are unrecognizable to
  211. ourselves. The wave of novelty that has rolled unbroken since the birth
  212. of the universe has now focused and coalesced itself in our species. And
  213. if it seems unlikely to you that the world is about to transform itself,
  214. then think of it this way: Think of a pond and think of how, if the
  215. surface of the pond begins to boil, thats the signal that some enormous
  216. protean form is about to break the surface of the pond and reveal itself.
  217. Human history is the boiling of the pond surface of ordinary biology. We
  218. are flesh, which has been caught in the grip of some kind of an attractor
  219. that lies ahead of us in time, and that is sculpting to its ends.
  220. Speaking to us, through psychedelics, through visions, through culture and
  221. technology. Consciousness, the language-forming capacity in our species
  222. is propelling itself forward, as though it were going to shed the monkey
  223. body and leap into some extra-surreal space that surrounds, but that we
  224. cannot currently see.
  225. Even the people who run the planet, the World Bank, the IMF, you
  226. name it, they know that history is ending. They know by the reports which
  227. cross their desks, that the disappearance of the ozone hole, the
  228. toxification of the ocean, the clearing of the rainforests, what this
  229. means is that the womb of the planet has reached its finite limits, and
  230. that the human species has now, without choice, begun the descent down the
  231. birth canal of collective transformation toward something right around the
  232. corner, and nearly completely unimaginable.
  233. And this is where the psychedelic shaman comes in. Because I
  234. believe that what we really contact through psychedelics is a kind of
  235. hyperspace, and from that hyperspace, we look down on both the past and
  236. the future and we anticipate the end. And a shaman is someone who has
  237. seen the end. And therefore is a trickster, because you dont worry if
  238. youve seen the end. If you know how it comes out, you go back and you
  239. take your place in the play and you let it all roll on without anxiety.
  240. This is what boundary dissolution means; it means nothing less than the
  241. anticipation of the end-state of human history. A return to the archaic
  242. mode, a rediscovery of the orgiastic freedom of the African grasslands of
  243. 20,000 years ago. A techno-escape into a future that looks more like the
  244. past than the future, because materialism, consumerism, product fetishism,
  245. all of these things will be eliminated and technology will become
  246. nanotechnology and disappear from our physical presence. If-- if-- we
  247. have the dream. If we allow the wave of novelty to propel us toward the
  248. creativity that is inimicable to the human condition.
  249. This is what were talking about here-- psychedelics as a catalyst
  250. to the human imagination, psychedelics as a catalyst for language, because
  251. what cannot be said, cannot be created by the community. So that we need
  252. then, is the forced evolution of language, and the way to do that is to go
  253. back to agents that created language in the very first place. And that
  254. means, the psychedelic plants, the Gaian Logos, and the mysterious
  255. beckoning extraterrestrial minds beyond. Hooking ourselves back up, into
  256. the chakras of the hierarchy of nature, turning ourselves over to the mind
  257. of the Totally Other that created us and brought us forth out of animal
  258. organization. We are somehow part of the planetary destiny. How well we
  259. do determines how well the experiment of life on earth does. Because we
  260. have become the cutting edge of that experiment. We define it, and we
  261. hold in our hands the power to make or to break it.
  262. This is not a dress rehearsal for the apocalypse. This is not a
  263. pseudo-millennium. This is the real thing, folks. This is not a test.
  264. This is the last chance before things become so dissipated that there is
  265. no chance for cohesiveness. We can use the calendar as a club. We can
  266. make the millennium an occasion for establishing an authentic human
  267. civilization, overcoming the dominator paradigm, dissolving boundaries
  268. through psychedelics, recreating a sexuality not based on monotheism,
  269. monogamy, and monotony. All these things are possible. If we can
  270. understand the overarching metaphor which holds it all together, which is
  271. the celebration of mind as play, the celebration of love as a genuine
  272. social value in the community. This is what they have suppressed so long,
  273. this is why they are so afraid of the psychedelics, because they
  274. understand that once you touch the inner core of your own and someone
  275. elses being, you cant be led into thing fetishism and consumerism. The
  276. message of psychedelics is that culture can be reengineered as a set of
  277. emotional values, rather than products. This is terrifying news. And if
  278. we are able to make this point, we can pull back, we can pull back and we
  279. can transcend. Nine times in the last million years, the ice has ground
  280. south from the poles, pushing human populations ahead of it, and those
  281. people didnt fuck up. Why should we, then? We are all survivors. We are
  282. the inheritors of a million years of striving for the Unspeakable. And
  283. now, with the engines of technology in our hands, we ought to be able to
  284. reach out and actually exteriorize the human soul at the end of time,
  285. invoke it into existence like a UFO, and open the violent doorway into
  286. hyperspace and walk through it, out of profane history and into the world
  287. beyond the grave, beyond shamanism, beyond the end of history, into the
  288. galactic millennium that has beckoned to us for millions of years across
  289. space and time. This is the moment. A planet brings forth an opportunity
  290. like this only once in its lifetime. And we are ready, and we are poised,
  291. and as a community we are ready to move into it, to claim it, to make it
  292. our own. Its there-- go for it! And thank you!

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