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From the Thal desert to the lush green plains of central Punjab and the pluvial Potohar, his voice echoed from every nook and corner of Punjab. Through his inimitable style of singing, Mansoor Ali Malangi gave a unique touch to the folk music of Punjab, ruling over the hearts of thousands of Punjabi music lovers for four decades. He passed away last December but the pathos and exceptional sweetness in his voice complemented by his immortal melodies will continue provide solace to his devoted listeners. His songs are still played over and over again on tractors ploughing the fields of Punjab, on trucks traversing national highways and on computers and cell phones, especially in Punjab. The lyrics captured the pain, suffering and longing of women who wait for the return of loved ones who are earning their livelihood away from home. In several songs, the woman is tearful and yearns for the return of her beloved. His epic song Koi rohi yaad karendi dhola, wal aa toon is a rendition of this heart wrenching situation. In a nod to folklore, the suffering of Sassi was featured in many of his songs. Malangi was born on Jan 1, 1947 in Garh More village of District Jhang and named Mansoor Ali. His father Pathan Ali was a sarangi player so Malangi inherited this musical talent from his father. The singer who released over 200 audio albums is fondly remembered by countless fans Malangi was only 18 when his first song was broadcast on Radio Pakistan Lahore in 1965. But the song Ik phull motiye da maar ke jaga sohniye previously sung by Kausar Malik, a folk singer at Radio Pakistan Multan shot Malangi to fame in 1974. Malangi was a poet and a composer, weaving his personal experiences into his lyrics. In 1982, when he had an accident and was hospitalised, he came up with Surgeon puchhia duss Malangi ae chot kithon aai aye, a song that enthralled the audience at a PTV concert. Malangi was a passionate lover and although his love was not unrequited, it took him to prison. He was naturally gifted with a crystal clear voice that haunts us with its overwhelming emotional power. With an unparalleled command on sur, his singing was effortless, usually the hallmark of a great folk singer. He was comfortable both with studio recording as well as live concert, a quality rarely found among vocalists. He enthralled masses as well the connoisseurs. Besides his greatest hits like Ik phull motiye da and Keri ghalti hoi aye zalim, he gave us many other marvellous songs like Balocha zalman and Mahi diyan nazan ton main lakh lakh var han. Malangi also sang in Urdu and Sindhi. Malangi spent a humble life in his own village. Malangi married thrice and left behind eleven sons and eight daughters. Malangi was awarded the Tamgha-i-Imtiaz in 2012. In his last TV interview in 2012, Malangi looked lost and depressed. Indeed, life is short. Published in Dawn, Sunday Magazine, January 18th, 2015 On a mobile phone? Get the Dawn Mobile App: Shahid Jatoi and Dr. Hassan; A language has many dialects and accents which are changed by area distance. Seraiki itself is not a language rather it's a dialect and accent of Punjabi language which is spoken in Seraiki belt of Punjab as Dhanni and Potohari both are the accents of Punjabi spoken in Chakwal and Rawalpindi region. Moreover Mansoor belonged to Jhang which is in Central Punjab not in South Punjab. Had Seraiki itself been a language and had Mansoor been just a seraki singer, he would never have been popular in the rest of Punjab. The fact is that he is as popular in Northern and Central Punjab as he is in South Punjab. Nabeel Anwar Dhakku has very beautifully and rightly portrayed the singer.
