Tom Wopat, one of the Dukes in the Dukes of Hazzard, the 1980s TV comic drama about great ol' young men escaping the law, was summoned Thursday on charges he grabbed a female cast individual from the stage melodic he should open in later Thursday.
Wopat argued not blameworthy to disgusting threatening behavior and medication ownership charges in Waltham, Mass., west of Boston, as per the Middlesex County District Attorney's office. He was discharged on $1,000 safeguard and advised to avoid the lady.
He declined to remark outside court, as per the Associated Press.
The Reagle Music Theater in Waltham reported on its site that its generation of the Tony Award-winning backstage melodic 42nd Street would open with an alternate performing artist assuming Wopat's part of Broadway maker Julian Marsh.
As per an announcement from the Waltham Police Department, Wopat, 65, was captured in his auto late Wednesday. The warrant included a charge of "foul threatening behavior on a man more than 14."
The police articulation said "two packs of white powder accepted to be cocaine" were found in the auto so a medications ownership charge was included.
Wopat improperly touched the lady on July 23, prosecutors affirmed in an announcement. "Amid a practice the litigant supposedly strolled behind a female cast part, snatching her posterior," the announcement said. Wopat was captured without occurrence as he was leaving a neighborhood secondary school where he was practicing for the show.
Wopat, wedded to his second spouse, Kathy, has worked consistently since Dukes on TV, in front of an audience and in music.
His IMDb page records various visitor appearances on different shows, with repeating parts in Cybill in the mid-1990s, for which he partook in an Emmy designation for remarkable group execution in 1996, and all the more as of late on Longmire.
His motion picture parts incorporate a U.S. marshal in the Oscar-winning Django Unchained. All the more as of late, he featured in County Line in 2017.
He's been performing in 42nd Street for quite a long time on Broadway and in provincial theaters. His other stage credits incorporate A Trip to Bountiful (2013) and Catch Me If You Can (2011) on Broadway, as per his site.
In 2005 he showed up in his first Broadway dramatization as a major aspect of the gathering in the Tony-winning (for best recovery of a play) generation of Glengarry Glen Ross with Alan Alda and Liev Schreiber.
He's recorded various collections, incorporating jazz tunes in 2013 (I've Got Your Number ) and pop gauges in 2009 (Consider it Swung). His visiting plan incorporates shows notwithstanding stage exhibitions: In 2005, he visited broadly with Faith Prince for Over The Rainbow, including the melodies of Harold Arlen.
