One girl gets a bit carried away thinking its a tits bouncing contest while the others dance in a more traditional 60s manner. Nice little film that you should enjoy from the late 1960s. Music by Lord Rockinghams 11, featuring Red Price sax and Cherry Wainer electric organ a big UK hit from 1958. AC3 audio codecs may be required. Released in 1916, it co-starred Edna Purviance, Eric Campbell, Leo White and Lloyd Bacon. This film echoed Chaplin's work on The Tramp, with more drama mixed in with comedy. The story begins with Charlie, playing music to raise money, and instead finds the abused girl played by Edna living in a gypsy camp. As in The Tramp, he works on finding a way to help... The Pawnshop was Charlie Chaplin's sixth film for Mutual Film Company. Chaplin played the role of assistant to the pawnshop owner. Henry Bergman played the owner and Edna Purviance the owner's daughter. Albert Austin played an alarm clock owner who watches Charlie in dismay as he checks out the clock. This was one of Chaplin's more popular Mutual Films, mainly for the slapstick comedy he was famous for at the time.... It co-starred Edna Purviance, Eric Campbell, Henry Bergman and Albert Austin. It is best known for showcasing Chaplin's roller skating skills. It starred Chaplin as a customer in a department store who finds out the manager is stealing money from the store. It was noted for the first 'running staircase' used in films. Edna Purviance played a minor role as a secretary to the store manager, played by Eric Campbell. Chaplin plays a drunk who checks into a health spa to dry out, but his suitcase full of alcohol does not aid him in this pursuit. Along the way he aggravates a large man and seduces a young lady, as Chaplin's characters are often wont to do. The film featured Chaplin's frequent co-stars Edna Purviance, Eric Campbell, Henry Bergman, John Rand, James T. It was released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Dain Hosiery and Edna Purviance played Carmen. Carmen was very popular at this time and one of the reasons Chaplin decided to create his own comedy version on the opera. Theda Bara had recently played the part in a film version in 1915.... The Count was Charlie Chaplin's fifth film for Mutual Films. Co-starring Eric Campbell and Edna Purviance, it is a story about Charlie and his boss finding an invitation to a party from a real Count. That's a lot of -isms. As part of my study on the history of cinema fetishism, here are four typically over-the-top scenes from some nunsploitation films. These are: 1 Satánico Pandemonium Mexico, 1975 2 The Sinful Nuns of Saint Valentine Italy, 1974 3 Images... People of all walks of life tell what they think love is. What is it anyway? I decided to find out what the people of New York can share about how they understand Love. Of course, there is no way words can express what Love is, it can only be felt, but I decided to seek out anyone who can articulate it. Topics: love, loving, sex, relashionships, jealousy, trust, platonic love, heterosexual, homosexual,... The many explicit sex scenes had to be cut in order to keep this on the Archive. This film is part of a series I'm posting on vintage fetish films, not porn. Story: A blond girl caught watching a couple having sex is harshly spanked and whipped. She gets revenge by having the brunette bound and whipped, then she has wild sex with the guy. Made by Keystone Studios and directed by Henry Lehrman, in it Chaplin plays a spectator at a 'baby-cart race' in California. The spectator keeps getting in the way of the camera and interferes with the race, causing great frustration to the public and participants. This is both a time capsule and an ironic oddity. A Hollywood exploitation film about the dangers of exploitation in Hollywood. You may want to avert your eyes during the skinny dipping sequence. Unable to get any more film offers, she is forced to work as a... It was the first film he starred in alone, except for a brief scene of Albert Austin playing a cab driver. Chaplin plays the role of a wealthman coming home late, after too much to drink. He only wants to go to bed, but 'everything' around him prevents him. Chaplin plays a lady-charming swindler, Edgar English, who runs afoul of the Keystone Kops.
