With Carmen Pretorius, Andre Schwartz, Janelle Visagie, Jonathan Taylor, Haylea Heyns, Zoe Beavon, Michael McKeeking, Malcolm Terrey, Rika Sennett and more. Firstly, the story combines a number of elements that are hard to resist: Set in Austria, a spirited, feisty novice nun takes a job with a steely, widowed Captain as governess to his seven children. First she wins over the hearts of the children, and then that of the Captain, and they become a family. sound of music artscape But before they sound of music artscape all settle down, the Nazi anschluss of Austria takes place. The Captain refuses to fight in the Navy under the Germans, and the family flee to Switzerland. Be honest — how many of you do not know the opening bars of The Sound of Music, My Favourite Things or Edelweiss. I realised that I recognised and knew most of the words to just about every song in the 14 scenes of the play. To create such a memorable score and lyrics is remarkable. Impressive take So you have all these elements, just awaiting a talented team to bring them to life. The set, costumes and lighting are gorgeous and also really clever, managing to capture an era as well as an area — the Austrian countryside, circa 1938. The mini-orchestra, an eight-piece under the direction of Kevin Kraak, is perfectly on point. And the cast is simply super. The ensemble gets the job done, with style. Andre Schwartz does a comfortable job with Captain Von Trapp, as does Haylea Heyns as Baroness Schraeder, his would-be wife. Jonathan Taylor brings a twinkle to the role of Max Detweiler, and the trio of Sisters, Maryanne van Eyssen, Monique Weich and Samantha Aria, have a swinging style. But it is the two strong female roles that garner the most attention — Janelle Visagie as the Mother Abbess, who turns in a beautifully-voiced performance with a charming, engaging presence; and Carmen Pretorius as Maria, who with her winsome features, sound of music artscape hair and captivating vocals, takes on the legacy of Julie Andrews and gives it her own, enchanting twist. And here again, one was blown away by the level of talent seen on stage. The younger members of the cast rotate their nights, so I can only speak for the date I was there, but little James Grieve as Kurt was particularly captivating, already showing his triple threat capabilities. In all, a very accomplished turn by the youngsters. What more can one say. This version of The Sound of Music is an absolute delight. If you have family — any kind of family — bring them along. And because we want to share all that good stuff with you.
